
Walter Van Beirendonck, among the last standing developers of the famous Antwerp 6, provided a menswear program Wednesday that mixed unique fancifulness with attacking social discourse at Paris Style Week
PARIS– Walter Van Beirendonck, among the last standing developers of the famous Antwerp 6, provided a menswear program Wednesday that mixed unique fancifulness with attacking social discourse at Paris Style Week.
As versions flaunted in large off-white bowler hats and loosened ’70s examine matches with old-fashioned boho collars, the collection danced in between fond memories and progressive theatrics.
In real Van Beirendonck design, enjoyable rammed the macabre. Edward Scissorhands appeared to haunt the atelier, motivating sharp-cut deconstructed matches with lengthened phony fingers. Skull-and-bone concepts were spirited winks on caps, while angular caterpillar forms sneaked under sneaker-boots.
Headscarves obtained from ’50s feminineness were reimagined right into sculptural 3D things, their abstract kinds including a responsive deepness.
Unusual power instilled the collection, significantly in a spidery face mask coupled with those rounded, transcendent fingers. The spooky yet spirited motif continued, enhanced by a grieving black shroud appearing like a beekeeper’s hat– a nod to frailty in the middle of the ridiculous.
The collection was as much regarding pressing limits as it had to do with sartorial musings.
While Van Beirendonck’s eyeglasses will not interest conventional preferences, his capacity to carry individual and social stress right into strong, wearable art stays unmatched. Via his unusual alphabets, absurdist headpieces and staged percentages, he remains to confirm that style, at its most engaging, has to do with bold to concern.